About

My practice is rooted in storytelling and narrative — acts of looking and listening that locate us within landscapes, families, and histories that are still unfolding. I am drawn to the spaces where local history and personal memory converge, where the overlooked and the quietly erased reveal the larger forces that have shaped us. Working across photography, photographic installation, video, and artist books, I move between the intimate and the historical, the familial and the political.

I have always understood history as something carried rather than resolved — present in the body, in the family photograph, in the landscape that has been built over and renamed. Postcolonial thought, and Frantz Fanon's work in particular, gave language to what I had long felt to be true: that colonialism does not simply occupy territory but occupies the self, that its divisions are inherited and internalized, passed down through families and landscapes long after the colonial moment has passed. My work lives in that inheritance — tracing those divisions across Ghana, England, and the United States, through the landscapes, photographs, and family histories that continue to shape me.

I believe transformation happens in dialogue. My work seeks to create the conditions for that dialogue — sitting with what is difficult, unresolved, and unspoken, and finding in that discomfort a deeper understanding of ourselves and each other. These are conversations about race, class, colonialism, and belonging — about what we carry, what we pass on, and the futures we are still trying to imagine.